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Behind The Music

"...I find composing to be among the more satisfying things I do musically...simply love every aspect of it- from inception to final recording..."

"assembly required..."

"...I may be a little unorthodox in my approach to songwriting...

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it often starts where it does with most

artists (a melody, a chord progression, etc...)...But then, I move into "exploration mode" to see what I get inspired to play next- where the original idea(s) might take me musically...

 

Once I have a good pool of other ideas, it all gets "spilled out on the table".  Then I try to figure out the best arrangement for the "ingredients" I've come up with. 

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I firmly believe that,"the song dictates the form", so I never know what other musical influences will end-up in the finished arrangement. This is why some tunes I write have 3-4 different styles going on...

 

The final challenge is figuring out how to solo over the "beast" you've given life to. But, this is all intentional.  I try to create music that "pushes" me- wanting to see growth in the writing, but also in the ways that it advances my skills as a player..."

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"origin" stories...

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"Signature"

This song was written as a compliment to my playing, "Bron Yr Aur" live, so that I could have an original tune I could play in the same guitar tuning...

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This tuning inspired tons of musical ideas, which is why it's so varied in mood, rhythm, and chord voicings- had a hard time wanting to cut-out any of the parts I came up with...

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"Cascades"

This tune started as some basic ideas I improvised one night at a gig, which turned into a full-blown song after playing it for several months live...

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At a gig one night, several people commented on it, and I was astonished that it reminded them all of the same thing- "moving water"...

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For the CD, I added waterfall samples in the beginning to reinforce the final song title, "Cascades"...Interestingly, most of the guitar lines tend to move "downwards" as well, reinforcing musically the "waterfall" vibe- something that was completely unintentional...

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"105"

Been told by people that this tune sounds very, "Middle-Eastern" (it does have strong Spanish/Mediterranean influences...)...

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The sparse instrumentation is off-set by energy and dynamics, and it has become one of my favorite tunes to play live...

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This was "recording project 105" on my home recording device- I never actually got around to giving the tune a real name...

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“Project Runway” submission

This piece was in the running as the possible new theme song for the 2014 season of the, "Project Runway" TV series...

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They went with someone else, but it was awesome to be able to submit the tune for consideration...

 

A note-this is the only original piece of music I've written/recorded without any bass part, and yet it worked amazingly well without it...I also threw in some "dub-step"-style beats to give it a modern sound...

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"Fire in the Hole"

This is a prime example of how I never know what musical styles/influences will make it into the finished tune (this one gives nods to blues, rock, and funk...)...

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Even though this tune was originally written for electric guitar, I'm amazed at how well it also translates live on acoustic guitar...

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"Pendulum Man"

The opening lead lines on this tune were inspired by the legato lead playing of Allan Holdsworth, of whom I am a huge fan...

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The title came from a nickname my wife gave me describing my tendency to look at life in an, "all or nothing" kind of way (ie: I live way too much in the extremes...)...

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The tune also has a tendency to move "back and forth" between jazz and fusion, so it musically captures the "pendulum" idea as well...

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"anatomy of a song..."

Steve gives you a glimpse into the writing process for a song from his upcoming CD project...

Writing "Cathedral"

Writing "Cathedral"

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